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Digital Artist


Digital Artist


A teacher by profession, Rukhsana currently live and work in the city of Bradford (West York-shire, UK). She has worked in a variety of schools both with mainstream and with children of spe-cial needs for over 20 years. She has participated in a variety and range of exhibitions, commis-sions and workshops over the years. Her exhibitions:

19.11.2020 – 03.12.21 – Group / Collective Exhibition at the ‘Palazzo Ducale’ (Genova, Italy) – ‘In my Mind’ (organised by Divulgarti Ducale);

02.11.18 – 18.11.2018 – Solo Exhibition at the Espresso Gallery (Nottingham, UK) – ‘Shapes and Patterns’. Art Exhibition’;

07.07.2002 – Group Exhibition at ‘The New Art Gallery’ (Walsall, UK) in relation to ‘The Festival of Asian Arts and Culture’ (organised by ‘The Walsall Asian Arts steering group and the New Art Gallery);

20.03.1999 – 11.04.1999 – Group Exhibition at ‘The Nottingham Castle Museum and Art Gallery’ – called ‘Eleven@99 A big hand for’’ in relation to a post graduate course in Arts practice;

04.03.1995 – 05.03.1995 – Group Exhibition at Kings college, Cambridge university (Cambridge, UK.). – ‘Cultural Art Exhibition’.

One of her biggest achievements is the design and production of specific awards held in London (Knightsbridge) for an awards ceremony where specific members of our UK government partici-pated along with the Prime Minister of United Kingdom at the time (Tony Blair).

“My work is simply about the expression and exploration of various types of line to create a mul-titude and range of Shapes and Pattern. This is a predominant feature of my work. Defining my-self essentially as an Abstract artist, I work mainly with Acrylic paint (and mixed media on occa-sions including the digital Artform). I love the freedom to express and create almost in an intuitive and instinctive manner depicting a range of styles from strong, bold geometric shapes to free-flowing, cursive and floral forms. Very often I will use a range of subject matter in my work that reflects my religious, cultural and traditional roots. This is significantly why I tend to use the Ara-bic script quite frequently. However, the main and dominant feature in my work is, and will al-ways remain, the strong array of shapes, pattern and colour that seems to dominate and essen-tially, ‘take over’ the overall composition”


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